{"id":1369,"date":"2015-04-29T10:29:10","date_gmt":"2015-04-29T10:29:10","guid":{"rendered":"http:\/\/espairossello.com\/?p=1369"},"modified":"2015-04-29T10:30:11","modified_gmt":"2015-04-29T10:30:11","slug":"la-huida-1976","status":"publish","type":"post","link":"https:\/\/josepmariarossello.com\/ca\/la-huida-1976\/","title":{"rendered":"\u201cLA HUIDA\u201d, 1976"},"content":{"rendered":"<h1 style=\"text-align: justify;\">\u201cLA HUIDA\u201d, 1976 \/ MUSEU D\u2019ART CONTEMPORANI VICENTE AGUILERA CERNI (MACVAC),\u00a0VILAFAM\u00c9S. ALACANT.<\/h1>\n<p style=\"text-align: justify;\">De la exposici\u00f3 que vaig realitzar l\u2019any 1976 a la Galeria Skira de Madrid, Carmen Mace\u00edn, la\u00a0directora de la galeria, va seleccionar diverses obres destinades als museus de l\u2019estat: Museo\u00a0Reina Sof\u00eda, llavors Museo d\u2019Art Modern de Madrid, Museo de Bellas Artes de Bilbao, Museo-\u00a0Casa Col\u00f3n de Gran Canaria i Museu d\u2019art Contemporani Vicente Aguilera Cerni, de Vilafam\u00e9s.\u00a0Cal dir que fa coranta anys no fotografi\u00e0vem tant com ho fem ara, i jo no tenia m\u00e9s que\u00a0algunes imatges en blanc i negre d\u2019aquestes obres. L\u2019any 1995 vaig comen\u00e7ar a organitzar el\u00a0meu arxiu, i en el meu intent de recuperaci\u00f3 vaig escriure als museus, demanant que\u00a0m\u2019enviessin fotografies dels meus treballs, que tenien en les seves col\u00b7leccions. No va passar\u00a0gaire temps, quan vaig rebre respostes i imatges de les meves obres en color. Per\u00f2 el Museu\u00a0de Vilafam\u00e9s, no em va contestar, i malgrat que en el llistat de \u201cEspais p\u00fablics\u201d de la meva\u00a0biografia apareix el nom del museu, dons tinc documentaci\u00f3 escrita de la entrega, mai no he\u00a0tingut la certesa sobre la obra que formava part de la seva col\u00b7lecci\u00f3, i si he de ser franc, entre\u00a0unes coses i altres, me\u2019n vaig anar oblidant.<\/p>\n<p style=\"text-align: justify;\">Des de que vaig fer donaci\u00f3 del meu arxiu a la Biblioteca-Hemeroteca Municipal de Tarragona,\u00a0i han comen\u00e7at a organitzar-lo, s\u2019han produ\u00eft algunes sorpreses. No fa gaire, vaig rebre un\u00a0correu de la directora de la Hemeroteca, Maria Elena Virgili, comentant-me que una becaria,\u00a0Lled\u00f3 Bagan, que estava realitzant treballs al meu arxiu, havia vist la documentaci\u00f3\u00a0incomplerta sobre el Museu de Vilafam\u00e9s. Fent una recerca , havia observat que en la\u00a0col\u00b7lecci\u00f3 del museu, hi havia una obra que tenia totes les caracter\u00edstiques de ser meva, per\u00f2\u00a0estava a nom d\u2019un altra artista, que fon\u00e8ticament, s\u2019assemblava al meu.<\/p>\n<p style=\"text-align: justify;\">Els elements que conformen aquesta obra que en el seu dia, vaig titular: \u201cLa huida\u201d, la apropen\u00a0als mateixos de la de \u201cEl estudiante del Aren\u00e1l\u201d, tamb\u00e9 de 1976, que est\u00e0 al Museu de Bellas\u00a0Artes de Bilbao. Aix\u00ed com els materials emprats i la t\u00e8cnica.\u00a0Avui, dia de Sant Jordi, he rebut un correu del Centre Internacional de Documentaci\u00f3\u00a0Art\u00edstica(CIDA), demanant-me disculpes i enviant-me una imatge en espl\u00e8ndid color de la obra.\u00a0Disculpes acceptades, tots som humans i fent honor a la nostra condici\u00f3, cometem errors,\u00a0malgrat que ens esforcem en perseguir la excel\u00b7l\u00e8ncia. El m\u00e9s important \u00e9s poder-los resoldre,\u00a0encara que sigui passats coranta anys.<\/p>\n<p><a href=\"http:\/\/espairossello.com\/wp-content\/uploads\/2015\/04\/ROSELL\u00d3-JOS\u00c9-MAR\u00cdA_La-hu\u00edda-1.jpg\"><img decoding=\"async\" class=\"size-full wp-image-1370\" src=\"http:\/\/espairossello.com\/wp-content\/uploads\/2015\/04\/ROSELL\u00d3-JOS\u00c9-MAR\u00cdA_La-hu\u00edda-1.jpg\" alt=\"La hu\u00edda\" width=\"100%\" srcset=\"https:\/\/josepmariarossello.com\/wp-content\/uploads\/2015\/04\/ROSELL\u00d3-JOS\u00c9-MAR\u00cdA_La-hu\u00edda-1.jpg 786w, https:\/\/josepmariarossello.com\/wp-content\/uploads\/2015\/04\/ROSELL\u00d3-JOS\u00c9-MAR\u00cdA_La-hu\u00edda-1-566x1008.jpg 566w, https:\/\/josepmariarossello.com\/wp-content\/uploads\/2015\/04\/ROSELL\u00d3-JOS\u00c9-MAR\u00cdA_La-hu\u00edda-1-168x300.jpg 168w, https:\/\/josepmariarossello.com\/wp-content\/uploads\/2015\/04\/ROSELL\u00d3-JOS\u00c9-MAR\u00cdA_La-hu\u00edda-1-575x1024.jpg 575w\" sizes=\"(max-width: 786px) 100vw, 786px\" \/><\/a> La hu\u00edda<\/p>\n<p>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014Josep Maria Rossell\u00f3\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014&#8211;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cLA HUIDA\u201d, 1976 \/ MUSEU D\u2019ART CONTEMPORANI VICENTE AGUILERA CERNI (MACVAC),\u00a0VILAFAM\u00c9S. ALACANT. De la exposici\u00f3 que vaig realitzar l\u2019any 1976 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1370,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-ca"],"_links":{"self":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/comments?post=1369"}],"version-history":[{"count":2,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1369\/revisions"}],"predecessor-version":[{"id":1372,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1369\/revisions\/1372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media\/1370"}],"wp:attachment":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media?parent=1369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/categories?post=1369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/tags?post=1369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}