ARTEBISE, EL QUADERN PERDUT<\/p>\n
\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014–Pas de zebra\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/p>\n
L\u2019 any 1995, davant una eventual exposici\u00f3 a Par\u00eds, vaig preparar un quadern monogr\u00e0fic, l\u2019\u00fanic <\/p>\n
fins aquell moment, amb dibuixos sobre la avantguarda francesa de principis del segle passat, <\/p>\n
que vaig nomenar \u201cArtebise\u201d. Un mot h\u00edbrid, un empelt de la paraula Art i \u201cHeurtebise\u201d, el <\/p>\n
nom de l\u2019\u00e0ngel que acompanyava a Jean Cocteau des del dia que va con\u00e8ixer a Picasso. En <\/p>\n
el quadern hi apareixien m\u00faltiples escenes amb imatges d\u2019Edith Piaf, Nijinski, Jean Cocteau <\/p>\n
i altres artistes de la \u00e8poca, aix\u00ed com alguns treballs sobre \u201cParade\u201d, un text de Cocteau <\/p>\n
esdevingut teatre, amb llibret d\u2019Apollinaire, decorats de Picasso i m\u00fasica d\u2019Erik Satie.<\/p>\n
El cas \u00e9s que el quadern, en mans de la persona inadequada, mai no va arribar a la galeria de <\/p>\n
Par\u00eds, ni em va ser retornat. Les excuses sobre aquesta i altres obres, es van anar fent eternes, i <\/p>\n
encara avui estan als tribunals. Al cap d\u2019uns quants anys, el quadern va apar\u00e8ixer esfullat a una <\/p>\n
sala de subhastes de Barcelona, no tot el quadern, es clar, tres o quatre fulls. Un col\u00b7leccionista <\/p>\n
que va comprar-ne un parell em va contactar a traves de la web., per que li semblava estrany <\/p>\n
que darrera el dibuix que havia comprat, n\u2019hi hagu\u00e9s un altra de la mateixa qualitat que no <\/p>\n
estava signat. Vaig ampliar la imatge a l\u2019ordinador per que tenia dubtes sobre la signatura, per <\/p>\n
que en un quadern mai no es signen tots els fulls, i b\u00e9, la signatura que apareixia en el dibuix, <\/p>\n
estava estampada amb un tamp\u00f3, realitzat a partir d\u2019una signatura meva.<\/p>\n
Mai m\u00e9s el malson fraccionat per la m\u00e0 afamada de la golafreria, que va fer del que era un <\/p>\n
relat complert, un discurs fraccionat, amb la ambici\u00f3 de treure\u2019n diners. Encara no fa un mes, <\/p>\n
em ballava pel cap la idea de incloure els coranta dos quaderns de dibuix que tinc desats <\/p>\n
a casa, i que van de l\u2019any 1989 fins al 2013, en la donaci\u00f3 del meu arxiu i l\u2019arxiu Art a les <\/p>\n
institucions de la ciutat, per que m\u2019obsessionava la idea de que un dia, els quatre mil dibuixos <\/p>\n
que els composen anesin a parar al mercat, per a la seva venda, si s\u2019arribessin a fraccionar <\/p>\n
aquets quaderns.<\/p>\n
Una trucada de tel\u00e8fon de l\u2019amic Sebasti\u00e0 Machado, de Reus, em va alertar de que en una <\/p>\n
pagina web, sortien a la venda un grapat de dibuixos meus, tots de la mateixa mida. La vaig <\/p>\n
mirar, i com de fet, hi havia dotze dels vint fulls del quadern perdut. La web pertany a un <\/p>\n
respectable galerista, en Joaquim Casadevall, de Montblanc. El vaig trucar i immediatament <\/p>\n
varem arribar a un acord de canvi, els canvis sempre han format part de les transaccions en el <\/p>\n
m\u00f3n de l\u2019art, i solen ser molt fruct\u00edfers, a m\u00e9s em va dir que n\u2019havia venut un, a un ex-galerista <\/p>\n
de Tarragona, un personatge molt simp\u00e0tic a qui conec de fa temps, l\u2019\u00c0ngel Anyor, amb qui no <\/p>\n
em va costar gens arribar a un acord. Gr\u00e0cies a l\u2019atzar i als amics, ara al quadern parcialment <\/p>\n
recuperat s\u2019hi afegiran alguns estudis previs que he conservat i les fotografies de que va ser el <\/p>\n
quadern al complert, i amb aquest text i algun dibuix nou, es convertir\u00e0 en un llibre d\u2019artista, <\/p>\n
que s\u2019afegir\u00e0 a la donaci\u00f3 que ja he realitzat a la Biblioteca-Hemeroteca municipal i al Museu <\/p>\n
d\u2019Hist\u00f2ria de la Ciutat, i la cessi\u00f3 de la meva col\u00b7lecci\u00f3 privada al Museu d\u2019Art Modern de la <\/p>\n
Diputaci\u00f3.<\/p>\n
\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-Josep Maria Rossell\u00f3\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/p>\n","protected":false},"excerpt":{"rendered":"
ARTEBISE, EL QUADERN PERDUT \u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014–Pas de zebra\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014- L\u2019 any 1995, davant una eventual exposici\u00f3 a Par\u00eds, vaig preparar un quadern […]<\/p>\n","protected":false},"author":1,"featured_media":1277,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pas-de-zebra"],"_links":{"self":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/comments?post=1276"}],"version-history":[{"count":1,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1276\/revisions"}],"predecessor-version":[{"id":1278,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1276\/revisions\/1278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media\/1277"}],"wp:attachment":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media?parent=1276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/categories?post=1276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/tags?post=1276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}