JUJOL FONAMENTAL, BIENNAL DE VEN\u00c8CIA<\/p>\n
\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014Pas de zebra\u2014\u2014\u2014\u2014\u2014–<\/p>\n
Rem Koolhas, l\u2019 holandes deg\u00e0 dels arquitectes europeus, comissari de la 14a edici\u00f3 de la<\/p>\n
Biennal d\u2019arquitectura de Ven\u00e8cia, es qui ha triat el nom de <\u201c Fundamentals\u201d, grafting<\/p>\n
architecture> per aquesta nova edici\u00f3. Proposa una mirada a les tradicions de cada territori,<\/p>\n
per aprendre del passat, per que el model arquitect\u00f2nic actual est\u00e0 agostat. Un concepte<\/p>\n
essencial en el que encaixa a la perfecci\u00f3 el projecte \u201cArquitectures empeltades\u201d del comissari<\/p>\n
del pavell\u00f3 de Catalunya Josep Torrents, que te com a referent la reforma que l\u2019arquitecte<\/p>\n
Josep Maria Jujol va fer de la Casa Bofarull, als Pallaresos, entre els anys 1913 \u2013 1933.<\/p>\n
\u201cArquitectures empeltades\u201d \u00e9s un projecte arrelat al m\u00f3n de la bot\u00e0nica, on l\u2019empelt \u00e9s<\/p>\n
una de les claus de la superviv\u00e8ncia de la majoria de les esp\u00e8cies vegetals. \u00c9s el referent<\/p>\n
arquitect\u00f2nic actual de noves propostes que es fusionen harm\u00f2nicament amb els elements<\/p>\n
preexistents. L\u2019empelt transmet la idea de la creaci\u00f3 d\u2019un nou organisme que combina els<\/p>\n
punts forts dels components originals, que te m\u00e9s for\u00e7a que la que aquets elements tenien<\/p>\n
avants per separat. Segons Torrents: \u201cEs tracta de superar la arquitectura franquiciada<\/p>\n
que uniformitza totes les ciutats\u201d. Si be els empelts son quelcom intr\u00ednsec a la bot\u00e0nica, el<\/p>\n
concepte del contrast en la creaci\u00f3, i el joc amb elements trobats, el trobem en els estils de<\/p>\n
transici\u00f3, en el cubisme i en els \u201ccollages\u201d.<\/p>\n
Un concepte que parteix d\u2019una arquitectura tradicionalment rural, que neix de la rica<\/p>\n
precarietat tant estesa en el Camp de Tarragona, que Jujol coneixia molt b\u00e9, i va aplicar a<\/p>\n
moltes de les seves creacions i dissenys. \u201cArquitectures empeltades\u201d es va inaugurar a Venecia<\/p>\n
el passat 5 de Juny, en el marc dels \u201cEventi Collaterali\u201d. La exposici\u00f3 mostra al p\u00fablic una<\/p>\n
trentena de dibuixos que Jujol va presentar a les germanes Bofarull, quan li van encarregar<\/p>\n
la reparaci\u00f3 de la teulada del seu mas, una reparaci\u00f3 que es va allargar durant vint anys, i<\/p>\n
finalment va representar la reforma total de la masia.<\/p>\n
El poeta Alex Susanna, director del Institut Ramon Llull va comentar que deixant de banda els<\/p>\n
edificis contemporanis, el punt fort del pavell\u00f3 catal\u00e0 \u00e9s la revindicaci\u00f3 de Jujol \u201c El secret m\u00e9s<\/p>\n
ben guardat de la arquitectura del segle XX. Resten pocs arquitectes tant inclassificables per<\/p>\n
descobrir\u201d<\/p>\n
Josep Maria Jujol, el gran oblidat del modernisme, sempre a l\u2019ombra potent\u00edssima d\u2019Antoni<\/p>\n
Gaud\u00ed, finalment veu la llum. L\u2019aparador internacional que representa el seu reconeixement<\/p>\n
en el marc de la biennal veneciana, \u00e9s la culminaci\u00f3 d\u2019una suma d\u2019esfor\u00e7os, en la que les<\/p>\n
institucions de Tarragona fa temps que tenen un paper indiscutible, de vegades amb severs<\/p>\n
contratemps,( encara recordo els brams pel cachet de la visita de John Malkovich, i les dues<\/p>\n
brillants representacions de \u201cThe infernal comedy\u201d en la celebraci\u00f3 del centenari del Teatre<\/p>\n
Metropol) i sempre amb la certesa de mostrar el treball d\u2019un gran artista. Va ser Jujol qui<\/p>\n
va dissenyar moltes de les meravelles gaudinianes com ara la fa\u00e7ana de la Casa Batll\u00f3, els<\/p>\n
sostres i els ferros forjats dels balcons de La Pedrera, el banc de trencad\u00eds del Park Guell, a<\/p>\n
Barcelona. Als que cal sumar els magn\u00edfics treballs realitzats al Camp de Tarragona, i que tenen<\/p>\n
el seu v\u00e8rtex en el Teatre Metropol d\u2019aquesta ciutat. L\u2019arquitecte Josep Llin\u00e0s, que va ser<\/p>\n
l\u2019encarregat de la remodelaci\u00f3 del teatre, seguint els referents jujolians, va fer quelcom proper<\/p>\n
a la arquitectura d\u2019empelt en el seva realitzaci\u00f3.<\/p>\n
\u00c9s vital que es reprenguin els passos iniciats anys arrere vers la \u201cFundaci\u00f3 Jujol\u201d, a Tarragona,<\/p>\n
que diverses crisis han anat esborrant. Ara que la obra i la figura de Jujol ja \u00e9s considerada com<\/p>\n
el punt de partida de la historia de la arquitectura catalana contempor\u00e0nia .<\/p>\n
\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014Josep Maria Rossell\u00f3\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014–<\/p>\n","protected":false},"excerpt":{"rendered":"
JUJOL FONAMENTAL, BIENNAL DE VEN\u00c8CIA \u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014Pas de zebra\u2014\u2014\u2014\u2014\u2014– Rem Koolhas, l\u2019 holandes deg\u00e0 dels arquitectes europeus, comissari de la 14a […]<\/p>\n","protected":false},"author":1,"featured_media":1258,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pas-de-zebra"],"_links":{"self":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/comments?post=1255"}],"version-history":[{"count":1,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1255\/revisions"}],"predecessor-version":[{"id":1257,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1255\/revisions\/1257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media\/1258"}],"wp:attachment":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media?parent=1255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/categories?post=1255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/tags?post=1255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}