\n\t\t\t\tL’Agulla\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n<\/p>\nAquest projecte proposa tres o potser quatre escultures monumentals, amb interiors visitables. Una escultura exterior i una altra interior. L\u2019an\u00e0glif, en arquitectura, \u00e9s el nom que se\u2019ls hi dona a alguns elements decoratius en baix relleu. En fotografia \u00e9s una t\u00e9cnica que desdobla la imatge i produeix impressi\u00f3 de profunditat. Tamb\u00e9 \u00e9s un divertit joc de paraules amb el que el poeta i dramaturg Federico Garc\u00eda Lorca i els seus amics gaudien als anys vint, del segle passat. L\u2019AGULLA La escultura recrea l\u2019agulla de la pedrera romana del Clot del M\u00e8dol, en terres de Tamarit, a Tarragona, sintetitzada i idealitzada. L\u2019 hermetisme del disseny, i les dues petites portes trapezo\u00efdals, estableixen una estreta relaci\u00f3 amb alguns monuments arcaics. Com l\u2019obelisc, \u00e9s s\u00edmbol del raig de sol. L\u2019interior recrear\u00e0 la atmosfera p\u00e8tria i la exuberant vegetaci\u00f3 de l\u2019entorn del Clot del M\u00e8dol, l\u2019agulla guardar\u00e0 al seu interior, el secret dels antics mestres, els signes de pedrer. Els visitants en podran gaudir mentre s\u2019eleven lentament en un ascensor transparent fins la terrassa que hi aur\u00e0 just on l\u2019agulla original t\u00e9 un trencant que tamb\u00e9 s\u2019observa en tota la pedrera, fruit d\u2019un terratr\u00e8mol del paleol\u00edtic. MEDITERR\u00c0NIA TARRACO AUGUSTA Una escultura realitzada l\u2019any 1996, que en el seu nom porta impl\u00edcit el seu significat. La columna, masculina i femenina alhora, sost\u00e9 un penell en forma de Tau (Tau – ocell), s\u00edmbol de la ciutat de Tarragona, signe de poder emparentat amb els braus de la cultura minoica. El vent impulsa el penell que giravolta mostrant totes les seves facetes, i el seu moviment representa l\u2019impuls vital del territori. El seu interior guardar\u00e0 un altra secret encara no desvetllat. KIKI \u00c9s un monument a la gran mare, una recreaci\u00f3 de la < Gran Nana> de 1967 de la artista francesa Nikki de Saint- Phalle, que celebra les arcaiques divinitats femenines. Els visitants entren pel forat – portal situat darrera del cap i surten pel forat del pubis relliscant per un tobogan. (tamb\u00e9 poden sortir per unes escales situades al darrera). \u00c9s un renaixement divertit i emocionant. L\u2019 ESFINX Recreaci\u00f3 de l\u2019enigma per excel\u00b7l\u00e8ncia, mite de la multiplicitat i la fragmentaci\u00f3 del cosmos. En el seu exterior, la decoraci\u00f3 dels laterals, ens mostra el laberint. I en l\u2019interior cont\u00e9 l\u2019univers. Les maquetes de les escultures de < 3 o 4 AN\u00c0GLIFS >, formen part del fons del Museu d\u2019Art Modern de la Diputaci\u00f3 de Tarragona.<\/p>\n","protected":false},"excerpt":{"rendered":"
JMR Mediterrania MAMT 1998 Foto: Alberich fotografs Aquest projecte proposa tres o potser quatre escultures monumentals, amb interiors visitables. Una […]<\/p>\n","protected":false},"author":1,"featured_media":1253,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-ca"],"_links":{"self":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/comments?post=1199"}],"version-history":[{"count":12,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1199\/revisions"}],"predecessor-version":[{"id":1252,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/posts\/1199\/revisions\/1252"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media\/1253"}],"wp:attachment":[{"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/media?parent=1199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/categories?post=1199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/josepmariarossello.com\/ca\/wp-json\/wp\/v2\/tags?post=1199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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<\/a>JMR Mediterrania MAMT 1998 Foto: Alberich fotografs<\/center>![\"\"](\"https:\/\/josepmariarossello.com\/wp-content\/uploads\/2014\/04\/CIMG0164-150x150.jpg\")
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